Tempo. Noémi Pujol. Grèce Car de la tunique hmong

Car de la tunique hmong ou boubou haoussa

such as the five stele paintings of 2019

facial portraits

The years between 133 BC and 48 AD saw the intrusion of Rome into Asia Minor

resulting in variations of the standard and figurines with finely detailed faces

Tempo. Noémi Pujol. Grèce Car de la tunique hmongThe passage of the city dweller through its streets, the quest for a visual blossoming. Tempo is sought in the alloy of three physical actors: the lights, the passersby, the walls. Tempo? The book is woven into a choreographic sequence with traversing bodies. There are accelerations and slowdowns; the backgrounds and environments are the elements of the orchestra. The passerby reveals the space. Space cannot do without the passerby. Nomi Pujol